Hit shows can have a second life on streaming platforms and result in actors getting paid again for that earlier work. Residuals paid for roles in broadcast TV shows are based on the popularity of those programs, with actors earning far more for hits like “Grey’s Anatomy” and “NCIS” than for duds. Actors and writers are concerned that their compensation hasn’t kept up with this transformation.Īnd the actors who are on strike argue that the formulas in place since 1960 to calculate residuals don’t work anymore. People consume different types of media through subscriptions and streaming technology than they do while watching broadcast TV and cable television. Fast-forward to 2023Īs I explained in my 2021 book, “ Streaming Culture,” streaming has fundamentally changed the production and consumption of both TV and film while blurring the lines between them. It earned Netflix nearly US$1 billion, but Hwang got none of that bounty. Hwang Dong-hyuk, the creator of “ Squid Game,” forfeited all residuals when he cut a deal with Netflix. Because it never runs on a different platform via syndication, the actors in its cast earn paltry residuals in comparison – even though viewers are still watching the show’s seven seasons. Whereas “ Friends,” a sitcom that initially aired on NBC, is available today on Max, formerly HBO Max, through syndication, and its actors receive relevant residuals, “ Orange Is the New Black” originated on Netflix. That contract applied to broadcasting and, years later, cable TV.īut it doesn’t work for streaming, because streamed shows aren’t scheduled.
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